News

Maya Jane Coles Wins Again at WMC

What more can we say, the girl's on fire! Having already placed highly with DJ-Kicks on year-end charts from NPR, Resident Advisor, Spin, Mixmag, LFTF & more, we've just learned that Maya Jane Coles' DJ-Kicks exclusive track "Not Listening" has taken "Best Underground Dance Track of 2012" at this year's WMC. We couldn't be happier! Congratulations Maya, and shout-out to all the DJs, editors, writers and fans who have supported her music.

New Maya Jane Coles Remix On XLR8R

Okay, seriously, is anything going to slow this girl down? Barely a fortnight after the release of he DJ-Kicks mix (which happens to be receiving rave reviews, thank you) the London producer already has a new brand new remix to offer, and it's a banger. Head over to XLR8R for the download, and don't miss Maya on tour all year (like we said, she never stops!).

Maya Jane Coles Video Interview

Maya Jane Coles' DJ-Kicks is out this week, and she's still on an incredible run! In the short time since we last touted her accomplishments, she's been named one of five Best New Artists for April by Spin Magazine, and been honored as Artist of the Year by Beatport's staff. All in a month's work, we suppose. We managed to grab some time out of Maya's insane schedule to speak in London about the mix, and her philosophy on making music. Check out the video (directed by Giorgio Gremigni) below, and below that you can grab an exclusive new Maya production from the mix. The whole mix is available from fine retailers worldwide.

Maya Jane Coles & DJ-Kicks in Miami

The SXSW / WMC one-two punch always makes for an interesting March. After rocking out on one of the best sound systems in Austin w/ Photek & Apparat, the DJ-Kicks crew are headed to Miami, where ascendant UK DJ/Producer Maya Jane Coles (whose Kicks mix drops mid-April) will be joining DJ-Kicks veterans Wolf + Lamb and Soul Clap, and many other fine artists for an all-day affair at Last Resort. After that, Maya will be headed to the Ultra Music Festival for another set in the evening. Here's to a never ending party!
Sunday March 25th • Last Resort @ Villa 221 (221 NE 17th St.)
Maya Jane Coles, Soul Clap, Wolf + Lamb & more
7:00 AM - 11:00 PM • 21+ • Limited Tix @ Door
Sunday March 25thUltra Music Festival Miami, FL (UMF Worldwide Stage)
Maya Jane Coles, Seth Troxler, Art Department & More
All Day • 21+ • SOLD OUT

MAYA JANE COLES DJ-KICKS

Maya Jane Coles DJ-KicksMaya Jane Coles never intended to be a DJ, let alone one of the most exciting new names in house music when she first started producing hip-hop in her bedroom aged 15.

By her own admission, the 24-year-old Londoner despised house music. “I was quite anti house because the only stuff that I heard was really cheesy vocal stuff on the radio,” she says. “I hated it. I used to think, Who listens to that?”

That was set to change as Maya discovered more underground house and techno music, whilst partying to the likes of Steve Bug and Anja Schenider in and around East London. Aged 17; Maya bought herself some 1210’s and started learning to mix vinyl and play out.

“I wasn’t old enough to be in a club. But it’s more exciting when you’re that age, isn’t it, because it’s forbidden. I was totally hooked. Instantly, I knew I wanted to create my own take on it.”

Fast forward seven years and Coles has become house music’s hottest new property. Listening to her DJ-Kicks mix, it’s not hard to see why. It opens with the muted synth chords and broken post-garage beats of ‘Loqux & Past’ by Deft, gradually acquiring more rhythmic weight care of tracks such as ‘In My Cocoon’ by Bozwell, a moody throb of glassy sounding electronics, wispy vocals and globular bass, and Coles’s own ‘Not Listening’, a driving cut built on a pounding yet melodic groove and exclusive to this DJ-Kicks mix. It’s another Coles exclusive, ‘Meant To Be’, this time in her Nocturnal Sunshine guise, that marks the transition to a more shuffle-y, two-step-influenced passage. The word journey is often used to describe DJ sets — too often, perhaps — but it applies in this case, and on a grand scale.

“I wanted this mix to showcase my diversity,” says Coles. “I don’t just do one thing and I wanted it to reflect that. Most of the mixes I’ve put out there so far have been house based, but I also produce stuff under the Nocturnal Sunshine monicker, which is more two-step/bass influenced stuff. This mix evolved into something that wasn’t just four-to-the-floor.”

“The Nocturnal Sunshine track is something I started about three years ago,” she continues. “I never managed to finish it. I kept going back to it, but it was never quite right. I came back to it again, totally stripped it back and redid it and it came out really well. It’s not normally something I would do. Normally, if I can’t finish something I scrap it. The tracks I’m happiest with are normally the ones that come naturally and quite instantly. When I spend too much time working on something it can lose that specialness. If it’s too much effort then it doesn’t feel right. But in this instance it just had something that I really liked. I’m really glad I came back to it.”

This mix is so skillfully put together, it’s hard to believe Coles was ever ambivalent about DJing. “I got into production before DJing,” she reasons.

“I only started DJing regularly fairly recently. When I first started making music I didn’t have turntables. It was a couple years later when I got into club music that I learnt to mix and had my first DJ gig, but for a long time I focused more on the studio/production side of things rather than playing out. It wasn’t until people started recognising my music on a larger scale that there was a demand and I began DJing more. But the more I did it the more I grew to love it. Now I wouldn’t be able to give one up for the other. The more you DJ the better you get at it and just like anything else it’s an on going process till you stop. The understanding of how to work a crowd and create moments on a dance floor is something you could never learn from mixing in your bedroom. You kind of just have to get thrown in to the deep end and learn first hand.”

And she’s not about to stop evolving any time soon. “My album, which I’m working on at the moment, has moved completely away from house music,” she says. “I suppose, in a way, this mix is preparing people for what they are going to hear next from me. My music will continue to get more diverse. There are a lot of vocals on the mix. I really enjoy working with vocalists and people might be surprised that 90% of my album is vocals tracks. I find it more interesting when there’s lots of different things going on”

True enough. And electronic music is a far more interesting place for Maya Jane Coles’s presence.

TRACKLISTING

1. Deft – Loqux … read more...

Maya Jane Coles Gets Her DJ-Kicks

To say Maya Jane Coles had a big year in 2011 would be an incredible understatement. In the space of twelve months, the 24 year old East Londoner went from a hotly tipped favorite of house music connoisseurs to, well, pretty much taking over the world. It is our extreme pleasure to announce that her first commercially available DJ mix is coming this year, in the form of a DJ-Kicks mix in April. (Tracklist & more info after the jump)